Music

Anything music.

There are 320 posts filed in Music (this is page 7 of 32).

Hopscotch weekend


Way back at Christmas, my lovely wife Kelly got me two Hopscotch tickets for my present. This weekend we cashed them in during Hopscotch 2012.

It was everything I’d hoped it would be. We saw many, many bands from the start of Hopscotch Thursday evening until our last show around midnight last night. Kelly’s parents stayed with us and took care of kid duty while Kelly and I got out to see the shows.

We’ve had a busy day today and so I have not had time to properly blog about my experience but I hope to catch up a bit tomorrow. As for tonight, I’ve got a lot of sleep to catch up on and won’t be describing my incredible Hopscotch experience tonight (yes, it sucks getting old).

Good night, y’all!

Little Raleigh Radio attracts a crowd

Little Raleigh Radio

Last night a volunteer open house was held at Kings Barcade for Little Raleigh Radio. It seems the publicity the station got from the recent write-up in the News and Observer drew a crowd of over 75 potential volunteers, ranging from radio newbies to grizzled radio veterans.

It was inspiring to see all the support. I could hardly sleep afterward, I was buzzing from all the energy!
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Little Raleigh Radio kicks off its donation campaign!

Little Raleigh Radio


Little Raleigh Radio, the LPFM station I’m helping launch, has gone live with its Kickstarter donation campaign! After just one day it’s already reached 1/3rd of its goal of $10,000!

Help bring really local radio to Raleigh! Donate today!

We are building a community radio station and we need equipment so we can start broadcasting.

We are doing this. We are starting a community radio station in downtown Raleigh and we are doing it legit.

This studio will launch our internet broadcast stream and it will also prepare us to be on the air with a low-power FM signal in 2013. We need to populate the studio with more hardware than a couple of laptops and microphones borrowed from our volunteers. We are using Kickstarter to raise $10,000 to purchase gear including soundboards, CD players, turntables, microphones, speakers, cables and supportive equipment. We need your help. We believe in the value of community and we want our volunteers to be able to create community through radio.

via Little Raleigh Radio // We'll do it live! by Little Raleigh Radio — Kickstarter.

Apple cancels Rev. Horton Heat event

The band Reverend Horton Heat was invited to play at an Apple store but found the gig a bad fit, with Apple placing some unreasonable demands on the band. The band posted an update on their Facebook page today, explaining how the gig blew up. I found it to be an insightful look at these no-pay corporate gigs:

Reverend Horton Heat
In case you don’t know what happened with Apple….We were supposed to do an in-store appearance at their 1 Polk Street store (Market Street really) on the afternoon of the 14th of July. Of course, they wanted some kind of striped down or acoustic thing. I was working on figuring out what songs would work in that “retail” enviroment. It’s not easy to do a gig like that. It’s completly different than what we do. Of course, it was for publicity only – ie no pay. There was going to be a Q&A with the people in attendence. They wanted to record the thing and make it a podcast. All fine, except then, I found out that they wanted me to come up with an MC and figure the whole thing out – not exactly welcoming. It kind of seemed that they wanted us to play for free, set the whole thing up and get ourselves there too without doing too much to make the event a success. Getting ourselves there is hard because we have an upright bass. It would be impossible and expensive for us to bring the bus with trailer. Anyway, I made a post on facebook about how it wasn’t right to throw everything on the artist instead of doing they’re best to welcome us. That was bad and I’m a bad, bad man evidentally. They got on the phone to our agent and said that they didn’t like the post. Later that day, I took the facebook post down – maybe I shouldn’t have, but I did. Then, today, I hear that they canceled the event. They didn’t call me. I just heard. So, my preparation was for nothing. I think that anytime an artist is coming to your store (and they’re bringing their fans into your enviroment where you are trying to sell something), you should be especially appreciative. The Mom and Pop stores, now closed down forever, used to go out of their way to make us feel comfortable and wanted. Those days are gone forever…evidentally. Call the store if you can. Ask them why.

Mondomix’s MP3 service calls it quits

Mondomix


I was crestfallen to tune into my favorite world music streaming service only to be greeted with this message:

Après des années d’intense travail, Mondomix doit abandonner son activité de vente de musique en téléchargement. Nous vous proposons à la place de découvrir nos vidéos, notre webradio et nos articles sur www.mondomix.com.

After years of intense work, Mondomix has to give up its legal music download activity. Instead, come and discover our videos, webradio and articles on www.mondomix.com.

Zut alors! I’ve purchased a lot of music through Mondomix’s service and loved discovering artists I would have never otherwise found through domestic services. It makes me even more determined to pick up the pieces and spread the word about the amazing music being made in the world.

Myth Dispensing: The Whole ‘Spotify Barely Pays Artists’ Story Is Bunk

Listen up, David Lowery.

One of the key talking points that we’ve heard from the "haters" of the new music business models is the claim that Spotify pays next-to-nothing to artists. This is really based on a few stories, taken totally out of context, concerning a few artists who received relatively small checks from Spotify. David Lowery actually used this as a key point in his screed against young music fans and their supposedly "unethical" behavior: to him, even if you are listening to a legal, licensed service like Spotify, you’re "unethical" because he’s heard rumors that Spotify doesn’t pay enough.

However, the more you look, the more you realize that Spotify actually pays out quite a lot. A few months ago, someone at one of the music collection societies told me about an analysis they had done concerning the amount of money paid per listen — comparing Spotify to radio, iTunes and lots of other things. When you knock it down to a per listen basis, it turns out that Spotify pays a hell of a lot more than any of those other sources.

via Myth Dispensing: The Whole 'Spotify Barely Pays Artists' Story Is Bunk | Techdirt.

Is Stealing Music Really The Problem?

A good response to David Lowery’s response to Emily White.

What started this was a post on NPR’s website by an intern named Emily White who admitted to buying very little music in her life but owning a lot via various levels of legality. This led to an impassioned response by Camper Van Beethoven/Cracker frontman David Lowery, who eloquently argued for the ethical and moral obligations Emily should have towards these artists and how stealing music has dramatically impacted their financial lives. This post has sprung up impassioned responses by, among others, Bob Lefsetz and a manager who is also, coincidentally, named Emily White. People have dug in their heels and have spilled many hours defending and vilifying both sides.

Yet lost in this discussion is one important element. Facts. Because if you’re going to argue that stealing has impacted your business, you should actually prove that…y’know…a lot of people have actually stolen your music.

via IS STEALING MUSIC REALLY THE PROBLEM? – FutureHit.DNA.

HD radio online

Yesterday I got curious about HD Radio so I pulled up the Wikipedia page on it. It turns out HD Radio a proprietary mess. Standard-owner iBiquity could’ve used one of the dozens of openly-available CODECs to create HD Radio (and the FCC could’ve mandated it) but instead it hacked the MPEG4-AAC standard into something proprietary. In the long run, this will set back American radio innovation as compared to Europe’s open standards-based approach. What a shame.

The end result is that radio manufacturers have to pay a royalty to make HD radio receivers. Station owners pay a large fee for the encoder and sign away 3% of their net profits. All of this is for a digital format with a nascent, unproven audience.

Looking to Raleigh’s leader in broadcast advancements, Capitol Broadcasting, I clicked on WRAL-FM’s homepage and found a link to listen online to the station’s HD broadcast. An Adobe Flash-based player instantly launched, streaming a nice mix of music with apparently no commercials. Quite nice!
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The First Amendment is not just for artists

So this young NPR intern named Emily White wrote a breathtakingly clueless defense of her choice to steal music rather than to pay for it, her ridiculous argument boiling down to it being more “convenient” to steal than to purchase. She apparently doesn’t see how her actions hurt the very artists she claims to admire.

Over at the Trichordist blog, musician David Lowery wrote a rebuttal to White. Lowery is the force behind the bands Cracker and Camper Van Beethoven. I’m a big fan. I own a number of Cracker CDs and even got Lowery’s autograph after Cracker swung by Raleigh for a show a few years ago. Some of my money wound up in Lowery’s pocket and I’m happy with that. He earned it.
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World music

AfroCubism


I kicked myself when I found out the world music supergroup AfroCubism played at the North Carolina Museum of Art on Sunday and we missed it. I’ve been on a world music kick for a few years now and it doesn’t get much better now than AfroCubism.

In surfing the art museum’s concert page, I noticed it was sponsored by a group called Friends of World Music. I’d never heard of this group but was delighted to learn it is a Raleigh-based non-profit that works to bring live world music to the Triangle. I’ve often mused that my “second career” would be being a world music promoter and Friends of World Music seemed like a serendipitous find.

On a whim I called the number listed, began leaving a rambling message on their machine, and soon the longtime executive director, Jessie Cannon, picked up and spoke to me. It turns out I may be just the person the group is looking for, she said, telling me the group used to put on more shows in prior years but haven’t been able to keep up that pace in recent years. Jessie and I are meeting for lunch on Friday to discuss the possibilities.

Kelly tells me I need another project like a hole in the head and she’s got a point. I see this one as a long-term thing that I’m happy to be patient about and grow at my own pace.

Again, I’m open to the possibilities. We’ll see where it leads.